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Thursday, May 03, 2018

What, and Give Up Show Business?

It has to be hard fucking work to be as obtuse as Chris Cillizza manages to be, day in and day out. At the very least, he deserves some grudging respect for a rather alarming track record of consistency.

I mean, get this -- Cillizza's premise here is that Baghdad Barb should quit, because her boss keeps sending her out to defend him with lies and half-truths and incomplete bits of disinformation. Apparently Cillizza thinks that this makes Baghdad Barb's boss a bad boss, and undermines poor Barb's ability to do her job. Sad!

Nowhere in this nonsense is the notion that maybe the same principle applies to Jim Acosta, to the other stenographers in the press room, to Cillizza himself. Acosta spends his time trying to bait Baghdad Barb into admitting that she's a flunky, a sap, a shill for a mendacious orange cocksucker in a hilarious combover. He knows she's never going to do that, and even if she did, who gives a shit? Nothing matters anymore. And yet, Jim Acosta presumably earns something resembling a respectable living faithfully executing this sham on a daily basis, just as Chris Cillizza gets his ducats wearily meta-commenting on the dismal proceedings.

At no point are useful facts or inculpatory evidence limned, just endless iterations of this shopworn above-the-fray schtick that informs no one and improves nothing. This is not news; this is filler. It is the pixelated equivalent of single-ply finger-blaster bumwipe, the kind you find in a portajohn.

Cillizza's plaintive querying as to why Baghdad Barb doesn't quit her job doesn't even top the low bar of "rhetorical." It's almost too sad to contemplate that he might actually be asking from a place of seriousness and sincerity, rather than the expected studied cynicism, but there ya go.

And there's an answer for such a question being asked sincerely:  Because she enjoys it. Because like her scumbag boss, she hates the gutless media monkeys, and she hates anyone who questions the emperor, and she loves rubbing their fucking noses in it. She gets moist, as close as she'll ever get to a true sexual frisson, when she vomits a clear and obvious lie into the faces in the crowd, and they sit and wallow in it, lamely trying to volley back with some limpdick question that she can snort and sneer at.

Everyone in the room knows it's all lies, and everyone knows there's not a goddamned thing anyone can or will do about any of it -- including refusing to continue this nonsense. That's power, knowing that she can rub their collective faces in the obvious lies, and they'll still be back the next day, waiting for the next shit sandwich. You wanna know why people despise the media, there's a huge reason.

Fuck you, Jim Acosta. Fuck you, April Ryan. Everything Baghdad Barb says at every one of these stupid, useless exercises in muscle and gall has that as a subtext. She could say to them, Have a great weekend!, and the subtext would still be, Sure hope you don't get plowed by a garbage truck, motherfuckers!

So I would pose Cillizza's question back to him, and to Jim Acosta, and April Ryan, and all the battered wives that keep showing up, day after day:  Is this what you went to j-school for, really? To dutifully appear like an ankle-biting mutt, and valiantly pretend that anyone cares that you know you're being lied to? If a job or career is supposed to have purpose and meaning, what kind of purpose and/or meaning do these exercises serve for you and your career aspirations? You think if you suck enough shit, you'll have a shot at the brass ring, the anchor chair, the panel slot, some fucking bullshit like that. Is that what you tell your kids when they ask what you do, is that what you tell your spouses when they give you that look?

Is that what you noble scriveners will tell yourselves in those quiet moments, when it's just you and a cold drink by the fireplace, no teevee white noise to drown out the contempt you feel for yourself, for what you thought you could and should have been, before you became just another showpiece for these evil fuckers? You ask why doesn't Sarah Sanders quit her job. Why don't you quit yours? Seriously. What purpose is served by these choreographed lies?

I'll tell ya some good journalists right now:  Natasha Bertrand. David Fahrenthold. Alexandra Petri's commentary has been scathing. Catherine Rampell has stepped up her game over the past year considerably. There are others, and what distinguishes them is that they're not squatting in a squalid pit with the Possum Queen, transcribing lies and bullshit, scribbling out remnants of their souls in pained missives that they all know are useless before they're even published. Nobody gives a fuck if Jim Acosta gently pushed back on Baghdad Barb that one time. She says, fuck you, that's why, and he meekly sits back down, and the world keeps on turning. Bokay?

Credibility? She's arguably the most powerful woman in the country right now. That doddering fucktard listens to her, confides in her, trusts her implicitly. Only a simp like Chris Cillizza would seriously think that Baghdad Barb gives a fuck about losing "credibility" in his eyes. She's got fifty million knuckle-dragging morons out there that hang on her every word -- and the more she sticks it to chumps like Jim Acosta, the more they love her.

Part of the kabuki is that these idiots periodically have to grumble about shoveling elephant shit, but let's not kid ourselves -- there's no place they'd rather be. And that's fine, if that's their [rolls eyes] minimum standard of competence. But they can at least spare us the endless posturing that they're somehow above the muck. They are the fucking muck, and the sad part is that they really don't have to be. It's their choice. Everyone in this administration is so vile and corrupt, there's bound to be stories under every rock you flip over. So why sit there and take it, when everyone knows it's bullshit?

It's their decision whether they'd rather die on their feet or live on their knees, but again, stop crying about the uncomfortable kneepads.

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